In the tender, surrealist world that Knishkowy has developed under the name Adeline Hotel, stories have been told through sprawling psych-rock epics (2020’s Solid Love), stark solo guitar performances (2021’s Good Timing), piano-led orchestral song cycles (2021’s The Cherries Are Speaking), and lush, jazzy compositions that felt like a genre unto themselves (2023’s Hot Fruit). Inspired by indie lifers and fellow world-builders like Jim O’Rourke and Phil Elverum, the Ruination Records co-founder has rewritten the rule book with each new project, inviting listeners to join as he discovers new channels for his singular voice. By now the sound of Adeline Hotel is equally identifiable through Knishkowy’s dextrous fingerpicking—the aural equivalent of tracing your fingers through cool sand at sunrise—as his low, whispered vocals and autumnal melodies.
Fran is the songwriting project of Maria Jacobson. Combining the alt rock of the 90’s with folk and country influences, Fran’s music is, at its core, is about sharing a truth -–telling it, confessing it, yelling it—in the service of human connection. Her songs have been described as “coolly fluid,” (NPR) and “taut, thoughtful songs that are further sharpened by a pristine elegance” (Chicago Reader). “Leaving,’ the sophomore album from Fran, finds the band at a crossroads of loss and possibility, forged through Jacobson’s preoccupation with the climate crisis as well as newfound contemplation of the intertwined nature of theology and existence. Described as “a kaleidoscope of grounding moments, existential outbursts, and personal anecdotes underscored by Jacobson’s arresting vocals” (Uproxx) and “endlessly listenable” (Aquarium Drunkard), Leaving showcases Jacobson’s apt storytelling and thoughtful, cinematic arrangements.
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· 21+