Cinematic in its journey, the album reflects sounds from across the Americas combined with compelling poetic narratives. Its 13 tracks consolidate the band’s unique identities, creative and cultural roots, and their penchant for honoring traditional Latinx music with contemporary compositional expressions and production techniques. It achieves the band’s mission to push against their own musical boundaries while also exploring themes of social justice, migration, and contemporary human struggle. Chavez articulates beautifully:
“City of Mirrors is an assemblage…glimpses of tradition… reflections on our collective present… luminous echoes between love and solitude, hope and absurdity, euphoria and mourning. This album grapples with and transgresses these binaries because we have/and continue to cross borders. Yet, for us, the border is no metaphor—too much real staring back at us. We embody the border. We (our families) have crossed it. We (our stories) are coated with its residues. And so… we cross the border of self through our art–out of necessity.”
The five began working onCity of Mirrors without any expectation of what it would be. They simply hoped to create an honest, unique, and border-defying but broadly communicable sound.To achieve this, they decided to incorporate a sixth member. That led to City of Mirrors being recorded in Los Angeles under the direction of artist, producer, and longtime friend of the band Elliot Bergman (Wild Belle, NOMO).